If you’ve never heard of Spanish trap then don’t worry, I’ve got you. Whilst out here in Spain I’ve discovered many beautiful things, the weather, the food, the unlimited sangria, and of course, the delightful and often humorous sounds of Pimp Flaco, amongst many others in the Spanish trap scene. The origins of this music entering my domain lay through a friend called David, David explains:
“I was watching funny videos on YouTube one pleasant Monday evening when I came across this guy called Pimp Flaco, automatically I checked it out, I couldn’t believe what I was listening to, it was like trap music, but it was Spanish, my mind was blown and I’ve been hooked since…”
His, and my, introduction to Spanish trap was Pimp Flaco’s track PORFI, an instant banger –
Continue reading “Feature: Your introduction to Spanish trap”
So, if you’re a fan of hip-hop you’ve probably heard Drake’s new album/playlist ‘More Life’. If you haven’t, then I recommend checking it out. The blend of different musical styles and influences really work, and shows the love Drake has for all kinds of music. It’s a fun project, and should be treated as such. But alas, this is not a review of ‘More Life’.
If you’ve listened to ‘More Life’ then you would’ve noticed that it features UK artists such as Giggs, Jorja Smith, Skepta and Sampha, and has a distinct British feel to it. It’s no secret that Drake has been a huge fan of the UK hip-hop/grime scene for a while now, consistently showing his support for new releases and tours. The likes of aforementioned Skepta and Giggs, and up-and-coming artists such as Dave and AJ Tracey have all benefited from his love and support, allowing thier music to be opened up to a broader audience that Drake has.
In truth, the UK hip-hop/grime scene has been in a strong place for a number of years now and many artists are achieving mainstream success, with or without Drake. Does the UK hip-hop/grime scene need Drake? No. But it’s definitely a good thing that someone is appreciating the music and the culture, without simply exploiting it. With Stormzy smashing the charts with his latest album ‘Gang Signs & Prayer’ and prominent artists selling out venues up and down the country the UK hip-hop/grime scene has never been in a better place than now. It’s a scene rich wih new talent, and I for one am extremely excited by some of the artists that are coming through the ranks. On the back of that, here’s a list of 10 of the most exciting new artists coming out of the UK hip-hop/grime scene.
Continue reading “Feature: 10 UK hip-hop/grime artists that you need to check out”
Music video that I helped to create, and also starred in.
‘…First music video created for my Music Video Production class at Berklee College of Music, Valencia Campus. It is a fan made video of Slipknot’s Snuff. Hope you enjoy my first ever video 🙂
Actor: William Garnett
Dancer: Catherine Pastrana
Video crew: Giulia Spadaro and Nikita Zabinski
Editing: Giulia Spadaro…’
First published: February 10, 2016
Few would’ve predicted at the start of the transfer window that David Luiz would end up back at Chelsea, Jack Wilshire would be on a season-long loan at Bournemouth, and that England’s number one, frozen out by new boss Pep Guardiola at Manchester City, would find himself in Italy at Serie A side Torino, but that’s football, it’s unpredicatble, unforgiving, and at times downright bizzare. Now the dust has settled and the domestic season is back underway this weekend, we can have a look at some of our other British players who will be joining Hart in tackling the difficult challenge of playing abroad. Many have tried it in the past, but very few have been successful. Ask Michael Owen, Ian Rush, Dale Jennings or Jonathan Woodgate at how tough and relentness it can be. Looking to break the mould here’s a list of 12 players to look out for over the coming season:
Continue reading “Feature: Joe Hart to Torino and 11 other Brits playing abroad this season”
This dissertation will provide an in-depth analysis into the development of hip-hop in three European countries: France, Italy and Germany, during the 1980s and 1990s. Drawing from the ideas of important theorists such as Andre Prevos, Tony Mitchell, Mark Pennay, and Dietmar Elflein, and a variety of relevant online articles, documentaries and films, it will show how each country adapted the musical idioms and styles of American hip-hop to create unique offshoots. Discussing the key artists within each country, and how hip-hop impacted on society. The key theories of Globalisation and Americanisation will be used to show how hip-hop arrived into Europe from America, and an overall background of the birth and growth of hip-hop from the depravity of the New York projects will also be given.
Read in full here: dissertation
First published: May 9, 2016
Where?: For academic purposes BA (Hons) Popular Music Journalsim 2015/16 – Southampton Solent University
I wrote a feature on wave music for the latest edition of Audio Addict, which is out now. If you don’t know about it then have a peek at my scene insight, pages 18/19.
First published: March 26, 2016