A little over two years ago I had the pleasure of interviewing Rag ‘n’ Bone Man at The Joiners in Southampton. He was touring his latest EP, ‘Disfigured’, and was preparing for another sold out show.
As I walked to the venue I remember being very nervous, it was my first ever face-to-face interview and I was unsure what to expect. The interview time was arranged a few hours before the opening of the doors, so my first task was to figure out how to get in… After a few trial and errors I found a fire escape round the back and to the side, this was my opening. Rory and his team were in a meeting, discussing various subjects about the night ahead. After an awkward hello and a brief explanation of what the hell I was doing there, it was established that an interview had been scheduled… Rory abruptly came over with a beaming smile and introduced himself. All the nerves and built up tension that I had been feeling slowly eased away, as we entered into deep coversations about his roots in the hip-hop scene in Brighton with Rum Committee, attending open mics at Slipjam B and forming friendships with local MCs and DJs. Speaking fondly of his time in Brighton, he explained how he quickly became embedded in the hip-hop community,
“I used to go to Slipjam B, which was just like a monthly open mic in Brighton for rappers, you know you do whatever you want basically, the DJ would play a beat and I would freestyle over it, but I would sing as well, and that’s how I met everyone really, that little community, sort of hip-hop community, you know you get to know everybody really quick…”
The connections he made during this time were integral to kick-start his life as a musician, and from there he released a series of mixtapes and EP’s, with ‘Bluestown’ (2012) being the most significant of these, his staggering vocal capabilities and jazz, blues and hip-hop style stood out from anything else that was on the market at the time.
Continue reading “Interview Feature: Rag ‘n’ Bone Man”
Faze Miyake steps into the spotlight on his self-titled debut album, bringing everything we love about his weekly Rinse FM shows and previous productions into one beautifully crafted body of work. Its woozy bass driven style of beats, twisting and turning from dubstep to grime, make for a chilling and sharp listen. Winter is coming and Faze Miyake will be your soundtrack.
Little Simz is one of the few rappers in the UK who currently could handle the beat on opener ‘The Nest’, its switch up in styles and wonky beat patterns displays Faze Miyake at his very best. Little Simz moves and adapts to the beat, as she impeccably varies her boisterous flow, boasting and flaunting her highly impressive rapping abilities. When second track ‘Burciaga’ kicks in with an equal amount of swirling body shuddering bass lines it’s clear a journey will commence. ‘Ice Cold’ and ‘Below Me’ show the versatility that Miyake offers; on the one hand you’ve got the frosty vocals of Inga Copeland layered over a truly chilling instrumental on ‘Ice Cold’, and then you’ve got the frenetic trap inspired ‘Below Me’, with Chicago rapper Sasha Go Hard featuring on the track. Instrumental song ‘Ocean Drive’ is placed in between the two contrasting styles and provides the perfect transition between the two.
Continue reading “Album Review: Faze Miyake – Faze Miyake”
Disclosure have gradually curated an iconic sound, a sound that when you hear it you immediately know that it’s them. On their new single ‘Magnets’ it’s no different with R&B infused house, the little subtle synths etching in and out and to top it off a perfectly chosen featuring artist, in this case the New Zealander Lorde.
Her voice accompanies the production beautifully and it is one of the stand out tracks on their new album Caracal. Do not listen if you’re prone to having songs stuck in your head as it’s extremely catchy.
First published: September 28, 2015
Shows like these are notorious for their crowd interaction, the mosh pits, the lead singer jumping into the crowd, the sweaty fat guy with his top off swinging it above his head, it can be these antics that makes these type of gigs so enjoyable to attend. However, it’s a shame when sometimes a minority of people take there enthusiasm a bit too far and get carried away with it, swinging there bodies all over the place, especially into small girls and people who are clearly not in the mosh pit. Different people enjoy gigs in different ways, some people like to mosh as there expression of enjoyment of the music, and some people just like to enjoy the music. The two should not have to clash, even at a small venue such as Joiners. In spite of this, the raw emotion that was shown by each band on the night is enough to get even the mellowest of guys stirred. The Intimacy of Joiners makes it feel like you’re at one with the band, the audience able to see each emotion on the bands faces – to study/to admire.
Continue reading “Live Review: Hacktivist & The One Hundred @ Joiners, Southampton – 7.12.14”
It has been another fantastic year for Bondax. From being bedroom producers, to getting airtime on BBC radio one, to now selling out shows up and down the country, the Lancashire born duo are quite simply killing it. With a new album out featuring the likes of Karma Kid, Darius and Olsen they have managed to shake off the stigma of just being the ‘Northern Disclosure’ (albeit not a bad comparison to have put on you). Having seen all the praise and adulation from publications such as Mixmag, to The Guardian, we at Noise Cannon decided to see what all the fuss was about for ourselves, catching them on there album tour ‘Bondax & Friends’ down in Southampton at Switch.
Continue reading “Live Review: Bondax & Friends @ Switch, Southampton – 29.11.14”
Bringing back those Channel U and Risky Roadz vibes Skepta teams up with A$AP Mobs Young Lord to deliver us his latest single in the build to his much anticipated album Konnichiwa. The second wave of grime is in full effect, but with the instrumentalists taking most of the spotlight this time around, it was time for the MC’s to respond. Wiley’s new album Snakes and Ladders is rising up the charts, and Skepta is ready to follow – it’s a good time to be a fan of grime. The track is a real head-bopper, the 8-bit bouncy beat combined with Skepta’s flow has a very nice old school feel to it. It’s a throwback, anyone who use to listen to Frontlinerz, Choong Family, or P2J Project, will definitely appreciate the sound – check out Giggs collaboration with B.O.B on ‘Don’t Go There’ for similar tracks. Young Lord sings the catchy chorus, with Skepta delivering the heat. Pure fire!
First published: November 10, 2014
David Fincher directs one of the most intense and absorbing thrillers to hit the big screens this year, with his wonderful adaptation of the best selling novel by Gillian Flynn. This film is pure jaw-dropping, edge of your seat stuff, and fans of the novel will not be left disappointed.
Continue reading “Film Review: Gone Girl, directed by David Fincher”