Back in May when I wrote the first part to this I wouldn’t have believed that I would be writing a second part several months later. Time is a weird thing, and amiss of any live music, festivals and any significant trips away, apart from visiting the Motherland for a few weeks, the months have rolled into one and gone by in a blur. I’ve learnt to accept the situation and know that I cannot control what will happen, counting my blessings each day that the people close to me are safe, and that I’ve not lost anyone during this time. Having worked in music and live events since University, their absence has been hard to come to terms with, and with the Goverment response to this, asking people like myself to retrain, has been somewhat anger-inducing, to say the least. Finally we are now seeing some socially distanced shows happening, and being able to mark them into the diary. It’s great to see a venue that I’ve worked at for the past few years, The O2 Arena, having their first show back on the 5th of December.
At just 20 years old, Dave has established himself as one of the UK’s finest talents. His debut album ‘PSYCHODRAMA’ has arrived too much anticipation, a culmination of his succesful EP’s ‘Six Paths’ and ‘Game Over’, a co-sign from Drake, who remixed his track ‘Wanna Know’, and an Ivor Novello Award for his single ‘Question Time‘. It’s been a steady trajectory to this point, and one that the London-born artist has seemed to take in his stride. Every collaboration, move and performance, perfectly timed, fluttering with mainstream attention whilst keeping his steely lyricism and feet firmly grounded. He hasn’t forgotten his childhood growing up in estates, his friends who have been and gone, the tales of sorrow and life pitfalls, Dave raps about it all. An unflinching look into his life and the people in it, society and politics, ‘PSYCHODRAMA’ is a great album, and just the beginning for this extremely talented artist. Continue reading “Album Review: Dave – PSYCHODRAMA”→
Little Simz continues to show her enormous talent on her third full-length album ‘GREY Area’. The diverse subject matters, musical styles and the fantastic tempo of the album, switching from the ferocious ‘Venom’ – a full-throttle attack on how women are treated in a male dominated hip-hop scene, over a breathtaking trip-hop beat, to the beautiful and subtle sounds of ‘Pressure’, which is a politically motivated track on recent events in London, and life in an inner-city. It’s an album that is perfectly timed too, at 35 minutes it allows for the topics to be unravelled and the talents of Simz to bear fruit, but without the pace ever feeling like it’s slowing down or reaching a lull. Like a perfectly timed jab to the face, ‘GREY Area’ is an album that demands your attention, in a world where that is hard to attain. Continue reading “Album Review: Little Simz – GREY Area”→
So, if you’re a fan of hip-hop you’ve probably heard Drake’s new album/playlist ‘More Life’. If you haven’t, then I recommend checking it out. The blend of different musical styles and influences really work, and shows the love Drake has for all kinds of music. It’s a fun project, and should be treated as such. But alas, this is not a review of ‘More Life’.
If you’ve listened to ‘More Life’ then you would’ve noticed that it features UK artists such as Giggs, Jorja Smith, Skepta and Sampha, and has a distinct British feel to it. It’s no secret that Drake has been a huge fan of the UK hip-hop/grime scene for a while now, consistently showing his support for new releases and tours. The likes of aforementioned Skepta and Giggs, and up-and-coming artists such as Dave and AJ Tracey have all benefited from his love and support, allowing thier music to be opened up to a broader audience that Drake has.
Bringing back those Channel U and Risky Roadz vibes Skepta teams up with A$AP Mobs Young Lord to deliver us his latest single in the build to his much anticipated album Konnichiwa. The second wave of grime is in full effect, but with the instrumentalists taking most of the spotlight this time around, it was time for the MC’s to respond. Wiley’s new album Snakes and Ladders is rising up the charts, and Skepta is ready to follow – it’s a good time to be a fan of grime. The track is a real head-bopper, the 8-bit bouncy beat combined with Skepta’s flow has a very nice old school feel to it. It’s a throwback, anyone who use to listen to Frontlinerz, Choong Family, or P2J Project, will definitely appreciate the sound – check out Giggs collaboration with B.O.B on ‘Don’t Go There’ for similar tracks. Young Lord sings the catchy chorus, with Skepta delivering the heat. Pure fire!