This dissertation will provide an in-depth analysis into the development of hip-hop in three European countries: France, Italy and Germany, during the 1980s and 1990s. Drawing from the ideas of important theorists such as Andre Prevos, Tony Mitchell, Mark Pennay, and Dietmar Elflein, and a variety of relevant online articles, documentaries and films, it will show how each country adapted the musical idioms and styles of American hip-hop to create unique offshoots. Discussing the key artists within each country, and how hip-hop impacted on society. The key theories of Globalisation and Americanisation will be used to show how hip-hop arrived into Europe from America, and an overall background of the birth and growth of hip-hop from the depravity of the New York projects will also be given.
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First published: May 9, 2016
Where?: For academic purposes BA (Hons) Popular Music Journalsim 2015/16 – Southampton Solent University